Currently exhibition @ AP. 1 gallery in Bucharest. Open until January 2018.
"Several egg cartons, aglow in orange street lights, lie on the cobblestones. School hasn’t started yet, and the only two kids on the street seem too busy with their phones to crush the cartons under their bike tires. The dogs are either sparing their voices or simply unfazed - they recognize all the humans around them. Small squares are tattooed with faded old graffiti tags. People’s currency is the plastic cups of coffee dispensed by the ATM-lookalike vending machines. Bushes like mourning garments shroud the cemeteries; cemeteries of ethnicities no longer present and factories no longer in use.
Welcome to Orăștie. A small Transylvanian city. One of those small cities that are getting smaller. It’s experiencing this phenomenon of shrinking, which entails coping with disproportions in population numbers, despite the global population growth trend. Orăștie’s experience of depopulation is very much unlike that of Deva, the closest local magnet, a city that attracted around 10,000 migrants between 2001 and 2011 and was also a getaway for Dragoș in his youth. Boom towns and shrinking peripheries are now being artistically and culturally explored in the context of the new East. This is being contemplated through interdisciplinary kaleidoscopes, even though it is orientalized, as Agata Pyzik points out. Western publications frequently employ the word ‘discovery’ to introduce the East - in spite of how ridiculously close it lies to the West.The challenge of this book is to demystify territories, through the artistic ventures of the autochthonous as main observer, and the archivist of a temporarily objectified personal universe of things.
We’re talking Hometown here - the civilian's imaginary, an idyll crafted out of naturally selected memories. If I were to choose a superpower with which to invest Hometown, it would be to send the viewer poles apart from the images the eye is comfortable with and from the consumerism-related places of wonder: those cathedrals of consumption. The altar of Hometown is a single mother’s basement, the prayer is techno, the attire is second hand clothing, and the only use for candle wax taken from the cemetery is to slick spots for skateboarding."
essay written by Jasmina Al-Qaisi as part of Hometown, the photobook.
Dragos Hanciu: photography and book concept
Fiorenza Pinna: curator, editor and book concept
Jasmina Al-Qaisi: writer
LOOT: cover and text design
Fabrik: printing house
Twenty pictures were already exhibited in May 2016 @ Die Faerberei in Munich along with Happy Holidays video installation.
This is a limited edition of 12 Fine Art prints of each photo. Get them here.
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